NoMa: All three shows I saw this weekend were at Gallaudet University, which is at the edge of the NoMa (North of Massachusetts Avenue) area. Since I hadn’t been over that way before and had heard that it’s the hot and trendy neighborhoods, I took advantage of good metro connections to walk around a bit before the first show I went to. Unfortunately, a couple of friends saw me walking in the wrong direction (i.e. away from Gallaudet) and called me, panicked that I was horribly lost. Now, to be fair, I do spend a good percentage of my time horribly lost, but I probably should have answered the phone and reassured them.
The highlight of the area is allegedly Union Market, which is pretty much hipster central. I wasn’t all that impressed with it, though it did provide good ice cream. There is a promising looking coffee place there. There are also some charming row houses along M Street Northeast. And the newish REI in the Uline Arena, which was the site of the first concert The Beatles played in the United States. Still, there isn’t really a lot to draw me into the neighborhood.
Ready to Serve: Ellouise Schoettler’s story is about a group of nurses from Johns Hopkins who volunteered to serve in France during World War I. Her research was extensive, based largely on letters from the nurses themselves. There was no shortage of drama, with descriptions of the nurses having to wear every bit of clothing they had to cope with the cold and mud, as well as patients with horrifying injuries that they could do little for. It’s important to tell the stories of women’s history and Ellouise does this splendidly.
Constructive Fictions: This play tells the story of Rabbi Barry Freundel, who is serving a 6 and a half year prison term after pleading guilty to peeping on and filming women in the bathroom of the mikveh. The set is his jail cell, which is rotated (without much real point, in my opinion) by four women, who comment on his explanation of his actions. They outline their stories, and, while they are supposed to be composites of his victims, there is a lot that seems identifiable to anybody who followed the media coverage. That’s a concern, since the playwright, A. J. Campbell, apparently didn’t talk to any of the victims. A bigger problem with the play is that Matty Griffiths, who played Freundel, didn’t seem to know his lines very well. That was obvious partly due to closed captioning, but also had the effect of throwing off the timing of the women.
Despite those problems, the play was interesting, with a shocking ending. Even more interesting was listening to people discussing it afterwards.
Life: A Comic Opera in Three Short Acts: Neal Learner’s light opera was the highlight of this year’s Fringe for me. Act One dealt with birth, as Joan is screaming in agony and Charles tries to reassure her everything will be fine. They reminisce about their meeting and reflect on how their lives will change. And then the twins show up, in a very cleverly staged way. Act Two has the kids growing up and asserting their personalities. Act Three dealt with death. This doesn’t sound particularly interesting, but it was well-written and well-performed. There were some questionable rhymes here and there, but I can forgive this in what was otherwise a quite charming and enjoyable show. This has been selected for the Fringe Extension, by the way, so you still have a chance to see it. I will definitely look for other works by the writer / composer, Neal Learner, in the future.
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